The phrase "auditory contents" is correct and usable in written English.
It can be used in contexts related to sound, hearing, or audio information, such as in discussions about music, language, or sound design.
Example: "The study focused on the auditory contents of various musical genres to analyze their emotional impact on listeners."
Alternatives: "sound elements" or "audio material".
For another half of the sounds the auditory contents were correctly identified, though participants agreed on labels (sense sets) that differed from the target concepts.
For instance, the cognitive contents of the visual system are visual contents, whereas the cognitive contents of the auditory system are auditory contents.
In slightly more general terms, Extensional theorists who believe that in our ordinary perceptual experience we are presented with purely phenomenal items (sense-data, qualia or similar) will regard the visual and auditory contents of specious presents as themselves being phenomenal in nature.
We suggest that such increases may reflect the auditory content of stimuli that are perceived as arousing, for example, faster tempo and/or rhythmical features.
The artists involved credit four elements to this alchemy: the understanding of the artist's intensions by the production team and the trust engendered by this; the quality of the capture; the complex layering of visual and auditory content; and the 'eye' with which it is edited.
Using computer vision and the spatial understanding capabilities of these devices, relevant vocabulary can now be presented on the scene facing the user, linked to additional visual and auditory content that hints at how this word can be used in the current context.
The requirement of fidelity to auditory content may be challenged on a number of grounds.
However, wave theorists may also try to reconcile auditory content with the wave conception.
Sound designers have traditionally made extensive use of recordings for creating the auditory content of audiovisual productions.
As we have seen, we do hear sounds both as externalized (hence auditory content is at odds with proximal views) and as distally located (hence auditory content is at odds with medial views).
Second, the requirement of fidelity to auditory content may be challenged by questioning the phenomenological claim that motivates it.
