The phrase "audiovisual memory" is correct and usable in written English.
It can be used to refer to the ability to remember information that is presented in both visual and auditory formats.
Example: "The study focused on how audiovisual memory can enhance learning outcomes in educational settings."
Alternatives: "multisensory memory" or "combined sensory memory".
He has published on nineteenth-century music, music and film, Adorno, and on the psychology of audiovisual memory.
Psychologically, in addition to their low non-verbal IQ and comparatively spared language abilities, they display relatively good audiovisual memory but very impaired visual-spatial abilities, leading to difficulties in daily life (e.g., getting dressed).
Your mind works in such extraordinary ways that your brain learns the piece through both the muscular and audiovisual memory.
Daume, J., Graetz, S., Gruber, T., Engel, A. K. & Friese, U. Cognitive control during audiovisual working memory engages frontotemporal theta-band interactions.
The series offers 15 features, including some of the French director's distinctive audiovisual explorations of memory, and two programs of the documentary shorts that established his reputation.
A novel representation of the sustained component of working memory for audiovisual language in the right inferior temporal lobe may be related to perception of speech-related facial gestures.
We carried out two subjective audiovisual experiments.
IntervieWithth a Ketamine Chighst.
The audiovisual performance "erratic" reconstructs a topographic memory of Vienna.
I move away from written narratives that center a traumatic memory that reproduces violence, towards audiovisual representations of an ethical memory that recognizes the utopian potential of overcoming victimhood.
The transformation of the individual into a media icon; spectacle as a social referent; memory in a photographic and audiovisual key; and the vision of the artist in counterpoint to mediatization: these are the themes examined in Imaginario, an attempt to clarify the value of photography in relation to other media and to appraise its privileged status as the basis of the contemporary image.
