Sentence examples for audiovisual creation from inspiring English sources

Or are the critics pleading on behalf of a form — open-ended serial television shows — that simply, for the most part, doesn't thrive as audiovisual creation?

The story spew that constitutes so much of the cinematic churn as well as the episodic series — in other words, audiovisual creation in which the audiovisual is a means, not an end — is matched by a wider and wilder range of invention that, nonetheless, bears the burden of its belatedness and brings an inescapable air of loss and untimeliness to its most forward-looking creations.

The immersive audiovisual creation was specifically designed to augment the museum's historic architectural structure, a design that is uniquely emblematic of traditional French rural homes (and is, in fact, an authentic French village that was dismantled and reconstructed).

Though Oakland-based electronic artist Marielle V. Jakobsons' audiovisual creation, the Macro-Cymatic Instrument, isn't exactly inspired by these various manifestations of waves, that reality seems ingrained in her new music video for the track "White Sparks," premiering today on The Creators Project (below), in which sound, light, and fluid waves synchronize to dazzling effect.

www.abu.org.my About CASBAA CASBAA is the association for the multichannel audiovisual content creation and distribution industry across Asia.

In Crepúsculo dos Ídolos (Twilight of The Idols), an audiovisual installation whose creation coincides with the rise of YouTube, a rotunda of television sets displays a typical TV channel, each TV playing the same thing.

With the proposed guarantees product placement will open up new opportunities for European audiovisual production and creation, while at the same time providing the necessary consumer protection and information.

For the creation of automatic audiovisual presentations or summaries, single-modality content analysis is not enough; we need to go beyond to multimedia and cross-media semantics for better content selection [13], in order to preserve comprehensibility and cohesion in communication [57].

Artist and media theorist Victor Burgin, and philosopher and artist D.N. Rodowick (University of Chicago, Department of Cinema and Media Studies) investigate displaced or effaced histories of architecture and urban space in the near South Side of Chicago through the creation of site-specific audiovisual installations.

The crux of the matter is that the adaptation of the novel can now benefit from changes in the modes of creation, production and circulation of audiovisual materials.

As the performance is happening, [it's] taking this [data] as the basis for the creation of the Live Coding audiovisual performance, without any human intervention.