Sentence examples for audiovisual coding from inspiring English sources

Exact(1)

The key objective of digital audiovisual coding techniques is to compress the original information into the minimum number of bits for a target decoded signal quality, eventually also fulfilling other relevant requirements such as error resilience, random access, and scalability.

Similar(59)

As the performance is happening, [it's] taking this [data] as the basis for the creation of the Live Coding audiovisual performance, without any human intervention.

However, in collaborative artworks, such as Electric Sheep, both the audiovisual display and the code are continually changing – software becomes a medium of expression.

His 2011 installation at the Park Avenue Armory, "the transfinite," part of a continuing series called "datamatics," was a pure hit of Ikeda in a dark controlled environment, an 11-minute audiovisual loop of bar codes: zeros and ones in excelsis.

This means that (a) audio quality alone shows a significant impact on audiovisual quality, when the coding- and packet-loss-related contributions to audio quality are separated, and (b) the impairment due to audio packet loss impacts audiovisual quality differently from that due to audio coding.

The European Commission approves a decision by the EU's competition commissioner, Mario Monti, that Microsoft must pay a fine of €497 million, offer a version of Windows that is not bundled with MediaPlayer audiovisual software, and reveal software codes to competitors.

The current prototype looks like an immersive DDR for your fingers, and minus the helmet, screen and giant QR code marker, the audiovisual interactive experience is not unlike mobile apps we've seen for things like Guitar Hero or other music games.

Audiovisual content is easily acquired, produced, processed, coded, stored and distributed, progressively making more important the ability for users to selectively consume the large amounts of content available.

Visiting Researcher at CNMAT, Thor Magnusson will discuss work in composition, performance and the development of audiovisual software - from small instrumental applications to live coding systems.

Numerous copies are generated as the coding is transferred and read and the audiovisual displays may be constantly changing.

In another, students experimented with live coding using Gibber, a creative tool for audiovisual performance and composition.

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