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Note that the naturalness of an audiovisual speech signal is determined by the naturalness of the individual audio and video mode.
We generally do ignore things like calling in audio / video mode to known person.
Avoiding asynchronies between separately obtained audio and video modes is not straightforward since the synchronization of these two tracks will be based on the original segmentation of the auditory and the visual databases.
From the results obtained we believe it is important to further investigate the importance of the coherence between audio and video modes for the perceived quality and naturalness of audiovisual speech synthesis and other applications such as audiovisual speech recognition and audio-to-audiovisual speech mapping techniques.
Apparently there exists a decrease in perceived synchrony when the test subjects (unconsciously) notice some mismatches between the audio mode and the video mode.
This strategy makes it possible to create multimodal speech signals of which the synthetic audio mode and the synthetic video mode are highly coherent.
The three new AV receivers bring just about every different control scheme, video mode, and audio codex imaginable.
The naturalness of the combination of an audio and a video modes can be enhanced by minimizing the intermodal incoherence issues, which we aim to realize with the joint audio/video synthesis approach.
With our 2D photorealistic text-to-speech synthesis system we aim to investigate how we can create a synthetic audiovisual output signal containing the highest possible coherence between its audio and its video modes.
An important observation is that almost all 2D photorealistic visual speech synthesis systems described in the literature synthesize the audio and the video modes of the output speech independently from each other.
Special features include a video mode that produces better-than-average low-res Quicktime files with buzzy audio.
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