The phrase "audio perspective" is correct and usable in written English.
It can be used when discussing the way sound is perceived or represented in a particular context, such as in music, film, or audio engineering.
Example: "The audio perspective in this film enhances the emotional impact of the scenes, making the audience feel more immersed in the story."
Alternatives: "sound viewpoint" or "acoustic angle".
We'll see that such an expression defines a sampled complex sinusoid, and we'll talk about sinusoids in some detail, particularly from an audio perspective.
Given that refrigerators' insulation levels vary, however, from an audio perspective, burying the phone in a pile of clothes one room over, Mr. Harvey suggested, might be a more reliable solution for someone seeking to subvert prying ears.
Always imagine that someone blind is watching the game so they can feel the game from an audio perspective even though they can't see it".
Aaron: From a content perspective (audio, images, video) we're spending a significant amount of time experimenting and improving our media encoding and image compositing systems, so that no matter what the size of the screen, we're delivering the absolute best version we can.
Concepts that are ambiguous from an audio characteristics perspective do not seem to have a unique sound associated with them, or at least not a sound distinctive enough at a finer level.
When interviewed about the PopMart Tour in 2009, Bono said that the PopMart: Live from Mexico City video was the best project U2 had done from an audio and visual perspective, and was "[e]clipsed only by U2 3D".
An examination of the many complex aspects of game audio, from the perspectives of both sound design and music composition.
Beats integration doesn't change my entire perspective on audio or anything, but the included set of Beats ear buds is definitely a plus.
The company has always felt its taste prediction technology is not strictly limited to audio, so from its perspective offering taste predictions for video is somewhat of a logical next step.
These experiments studied the audio textures from two perspectives: on one hand, the audio textures were compared directly to reference samples in a forced choice test, and on the other hand, the audio textures were presented without a reference asking subjects to rate the representativeness for a certain location.
