Sentence examples for audio perception of from inspiring English sources

The method sees language learning as repetition of chunks of speech based on three ways of perception (audio perception of authentic English, visual perception of parallel English and the learner's native language texts and visual representation of image) simultaneously.

The player with this peripheral device provided excellent resolution (320 × 240; equivalent to a 44 in. screen viewed at 9 feet) and audio perception of the instructional material while allowing concurrent visualization of subject and ultrasound device.

4 6 Oh et al found that metronome use increased the mean compression rate (MCR) to the desired value, but compression depth decreased because of the requirement to multitask (CPR technique and audio perception of audio tones).

We aimed to study the categorizations "Overdrive" and "Edge" from the pedagogical method Complete Vocal Technique as refiners of the often ill-defined concept of "belting" by means of audio perception, laryngostroboscopic imaging, acoustics, long-term average spectrum (LTAS), and electroglottography (EGG).

He developed a set of "Audio Perception Tools" that allow him to create a visualization that corresponds to relevant events in the music.

The attempt to match up the actions of any single work with the hissing, chirping and clicks emanating from its speakers can result in a very concentrated experience of visual-audio perception.

These system exhibited a "human-robot dance collaboration" where the robot moves in accordance with human performers through the perception of audio and visual information and the current performance context.

Conditions of no packet loss (La4 and La7) did not lead to any difference between the scenarios reflecting the fact that as long as the intelligibility of the speech signal was not affected, the type of scenario did not impact the perception of audio quality.

According to the International Federation of the Phonographic Industry (IFPI) [2], audio watermarking should have the following specifications: audio watermarking should not degrade perception of original signal.

Because the perception of sound in humans is limited to audio frequencies in the range of 20 20 000 Hz, species that exploit acoustic frequencies outside the pitch of human ears appear silent to us.

Perception of emotion is critical for successful social interaction, yet the neural mechanisms underlying the perception of dynamic, audio-visual emotional cues are poorly understood.