The phrase "audio perception" is correct and usable in written English.
It can be used in contexts discussing how individuals interpret or understand sounds, such as in psychology, acoustics, or audio engineering.
Example: "Researchers are studying the effects of background noise on audio perception in crowded environments."
Alternatives: "sound perception" or "auditory perception".
Compared to static images, audio perception may require a greater processing workload [7], as sound clips have temporal extension.
The method sees language learning as repetition of chunks of speech based on three ways of perception (audio perception of authentic English, visual perception of parallel English and the learner's native language texts and visual representation of image) simultaneously.
The player with this peripheral device provided excellent resolution (320 × 240; equivalent to a 44 in. screen viewed at 9 feet) and audio perception of the instructional material while allowing concurrent visualization of subject and ultrasound device.
Some research indicates that nonspeech audio perception may be impaired together with speech perception for people with specific pathological profiles because the process may share certain channel and brain regions [4].
We aimed to study the categorizations "Overdrive" and "Edge" from the pedagogical method Complete Vocal Technique as refiners of the often ill-defined concept of "belting" by means of audio perception, laryngostroboscopic imaging, acoustics, long-term average spectrum (LTAS), and electroglottography (EGG).
However, since the human auditory system is a binaural system combining the signals received from both ears for audio perception, providing merely bilateral systems (that operate independently for each ear) to the hearing-aid user may distort crucial binaural information needed to localize sound sources correctly and to improve speech perception in noise.
The attempt to match up the actions of any single work with the hissing, chirping and clicks emanating from its speakers can result in a very concentrated experience of visual-audio perception.
A 3D audio technique achieves virtual sound perception by synthesizing a pair of binaural signals from a monaural source signal with the provided 3D acoustic information: the distance and direction of the sound source with respect to the listener.
Human sound perception is also robust to many environmental conditions influencing the audio signal.
Sound-induced flash illusions SIFI) permit to evaluate cross-modal audio-visual perception.
Here we used SIFI to evaluate V1 excitability in children with migraine assessing also age-related differences in cross-modal audio-visual perception.
