The phrase "audio mixer" is correct and usable in written English.
It can be used to refer to a device or software that combines and adjusts audio signals, often in music production or broadcasting contexts.
Example: "The audio mixer allowed the sound engineer to balance the levels of each instrument during the recording session."
Alternatives: "sound mixer" or "mixing console".
The bride's father is a freelance audio mixer and sound and video editor in Cleveland for television shows and recording artists.
You can swap games or play music when the lid is closed, and an audio mixer lets you mash up sounds.
A search for audio mixer software turned up two shareware products that for less than $100 did everything a mixing board would do.
I re-film that monitor and send that signal into the main vision mixer, which allows me to mix between two video sources, just like to an audio mixer.
Spectrum Audio Mixer ($39).
Playback of the instrument sound track is controlled by signals generated in the musical instrument and transmitted to a system interface box connected to the audio-video play back device, an audio mixer, and the head-mounted display.
Terms such as "audio technician", "sound technician", "audio engineer", "audio technologist", "sound mixer" and "sound engineer" can be ambiguous; depending on the context they may be synonymous, or they may refer to slightly different roles in audio production.
In defense: tiny endowments, small studio classes and expensive glassblowing equipment and audio mixers.
When Nikki Glaser and Sara Schaefer began their podcast "You Had To Be There" in early 2011, recording in Schaefer's Brooklyn living room with little more than a laptop, audio mixers, and some microphones, the two women had been working comics for close to a decade.
AS: I ran Oddcast for 11 years and created over 200 web and mobile user-generated rich media apps, including audio mixers, video mixers, photo mixers, ringtone makers, avatar products – anything that consumers can create and share..
Here Mr. Dominik and the sound mixer, Leslie Shatz, discuss their ideas for the audio, including how flash bulbs, squeegees and Norman Mailer worked their way into a beating sequence.
