The phrase "audio instruments" is correct and usable in written English.
It can be used to refer to devices or tools that produce, manipulate, or record sound, often in the context of music or audio production.
Example: "The studio is equipped with a variety of audio instruments, including synthesizers, microphones, and mixers."
Alternatives: "sound equipment" or "audio devices".
The first set-up is the recording system, which takes in audio from instruments and microphones and records it either digitally (using a computer or digital recorder) or to tape.
QWERTY has finally become a real-time (really real-time there's real-time therele delay between keystroke and melody), customizable audio-visual instrument.
Copenhagen-based designers Momo Miyazaki and Hideaki Matsui created audible color, an audio-visual instrument that uses simple physical gestures for an intuitive interaction between sounds and colors.
Created by Jono Brandel (aka Jonobr1), the song/web-browser app is an evolution, of sorts, of Brandel's Patatap, an experiment that turned QWERTY into a real-time audio-visual instrument.
That firm designs microchips that can be easily programmed by makers of niche goods such as audio equipment, musical instruments and fitness monitors.
Historically the selection process has been carried out using acoustic musical instruments, audio recording, direct programming, input controllers, musical synthesizers, and combinations of these.
Such MPEG7 features were recently used as front-end for a number of automatic classification tasks for audio and musical instruments combined with various classifiers, including non-negative matrix factorization [39, 40].
Bello [7, 9], Ryynanen [96] and Argenti [4] proposed methods capable of dealing with polyphonic audio containing multiple, different instruments, although instruments are not distinguished from each other (i.e., the transcription system assumes that all notes were produced by the same instrument).
Some examples include changing the interface for using a connected mobile device as a controller for real instrument audio recording, and then switching it to a MIDI-style virtual instrument input device.
A modular design structure known within Holden as "Flex Vision" has been applied to the interior where fundamentally different components such as audio units and instrument clusters can be swapped out for the different Commodore variants, creating radically varied interior look and feel without much higher costs.
