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The phrase "audio impression" is correct and usable in written English.
It can be used to describe the effect or perception that audio content has on a listener, often in contexts related to sound design, music, or audio reviews.
Example: "The audio impression of the new album was captivating, drawing listeners into a rich soundscape."
Alternatives: "sonic impression" or "auditory impression".
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Having spent several years fronting a trio, he developed an ability to play rhythm chords and lead lines together, giving the audio impression that more than one guitarist was performing.
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Michele Westfall, ASL speaker and freelance writer From our research with people born deaf whose preferred language is a sign language, the 'inner voice' is gestural/signing, rather than lips or vocal or audio impressions.
It's a curious phenomenon that in this digital age — in which thoughts that once emerged quietly and gradually on paper have been overtaken by instantaneous visual and audio impressions that are swiftly taken in without really being absorbed — the rapt viewer sometimes needs to be jarred, slowed down and forced to look inward.
There are also six different pieces of data that a donor may have provided: a baby picture, audio interview, personality test, a written essay and staff impressions.
The podcast alternates between the hosts' narration, Shaub's descriptions and impressions, and audio from the press conference.
Text-message jokes about the president are all but infinite; audio files with clever impressions of the religious elite are a recurring feature of various handsets; and video clips of violent police behaviour or other officials' blunders account for the bulk of phone memories.
Meanwhile, singer Leonard Newell's flimsy Liam impression is the audio equivalent of that squint-eyed sneer he affects in every single photo shoot.
Impressions from on-demand audio and video streaming services (YouTube, MySpace) and programmed streams (Pandora, Last.FM) are all up and to the right".
With various visual and audio techniques the installations reflect images and impressions of a place and a city that is abandoned and empty of social presence.
The incessant cycles of audio and video replay that ensued created the impression that Dean had lost Iowa because he screamed, when it was the other way around: he screamed because he lost.
In order to have a first impression of the quality impact of audio and video on the overall audiovisual quality, we conducted a correlation analysis, correlating the audio quality, the video quality, and their interaction with the audiovisual quality (see Table 3, column "All").
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Justyna Jupowicz-Kozak
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