The phrase "audio framework" is correct and usable in written English.
It can be used when referring to a structured system or set of tools designed for processing, managing, or producing audio content.
Example: "The new audio framework allows developers to create immersive sound experiences in their applications."
Alternatives: "sound architecture" or "audio system".
In order to provide a comparative reference of the performance of the STRF feature space relative to other existing approaches, we rerun the same set mixed training/testing classifications using audio features from the MPEG-7 audio framework which include zero-crossing, spectral slope, spectral roll-off as well as spectral envelope features resulting in 260-dimensional feature mapping.
The adaptive audio framework from the previous game returned; depending on signals from the game in certain situations such as combat, puzzles, danger or suspense the game's soundtrack actively changes.
The SoundScape Renderer: A Unified Spatial Audio Reproduction Framework for Arbitrary Rendering Methods.
The goal of our research was to evaluate the performance of different psychoacoutic models for simultaneous masking by inserting them into an existing audio coding framework.
Fig. 1 The audio classification framework.
To improve coding efficiency [1], a practical perceptual audio coding framework would encode and transmit only the low-frequency (LF) components of the audio.
Similarly, C. Grigoras [30] proposed audio forensics framework based on statistical analysis such as long-term average spectrum histogram (LTASH) to detect traces of audio (re compression, assess compression generation, and discriminate between different audio compression algorithms. .
Similarly, C. Grigoras [30] proposed audio forensics framework based on statistical analysis such as long-term average spectrum histogram (LTASH) to detect traces of audio (re compression, assess compression generation, and discriminate between different audio compression algorithms.
In order to enable comparisons with other computational models, we propose state-of-the-art algorithms, specifically a unified energy-based audio-visual framework and a method for text saliency computation, for the detection of perceptually salient events from videos.
In Section 2, we recall the Gaussian framework for audio source separation and we present a result of the theory of statistical room acoustics.
As well as the Seaboard, ROLI has developed Equator, the software synthesizer; NOISE, the free app that turns iPhones into musical instruments; Blend, the social platform for music collaboration; and JUCE, the C++ coding framework for audio developers.
