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The phrase "audio distinction" is correct and usable in written English.
It can be used when discussing differences or variations in sound, such as in music, speech, or audio technology.
Example: "The audio distinction between the two recordings is subtle but noticeable, highlighting the differences in production quality."
Alternatives: "sound differentiation" or "acoustic distinction."
Exact(2)
Not sure if someone has shared this, but like every other audio "distinction" in iTunes, "ringtones" are no different.
One prominent hypothesis that underlies most investigations is that audio elements are segregated whenever they activate well-separated populations of auditory neurons that are selective to frequency [5, 6], which emphasizes the audio distinction on the frequency dimension.
Similar(58)
I have just one comment with regards to providing direction for eventual interpretation of the data by users: The conflation of gender differences in perceiving emotions with audio vs. visual distinctions is a real concern, and the authors acknowledge this, but the current description does not provide enough direction on how to deal with this potential confound.
I noticed no distinction in audio fidelity between wired headphones and the Kleer reference set.
As to the characteristics of the encoded audio, as a general distinction Apple devices acquire audio using one channel at sample rate of 44100 bit/s, whereas Android devices usually acquire two audio channels at 48000 bit/s.
The combination of visual and audio features allows for easy distinction between other noises such as speech, laughter, or throat clearing.
Only initial metadata distinction as between text, audio, movies and images.
Experiments show a high level of distinction between perceptually different audio data and high robustness against content-preserving signal transformations.
More bits enable finer distinctions to be made in audio voltage levels and, in turn, enable a closer approximation of the original sound wave.
However, the focus on spot signals instead of the audio channels after the mixing process is a clear distinction between these two methods.
The work aims to remove the boundary between audio and video as physical media, and highlight the perceptual distinction.
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