The phrase "audio commentator" is correct and usable in written English.
It can be used to refer to a person who provides commentary or analysis during an audio broadcast, such as a sports event or a podcast.
Example: "The audio commentator provided insightful analysis throughout the game, enhancing the listener's experience."
Alternatives: "audio analyst" or "voice commentator".
In this section, we extract a set of speech parameters derived from the linear model of speech production and evaluate their correlation with the perceptual excitement level in the commentators audio.
But the public's access to gavel-to-gavel Supreme Court proceedings should not be limited to one big case every few years at the justices' discretion, or to an after-the-fact audio recording that requires commentators to inform listeners about which lawyer or justice is speaking.
Experiments are performed on baseball videos based on signal processing advancements for excitement assessment in the commentators' speech, audio energy, slow motion replay, scene cut density, and motion activity as features.
PROFILE of Raymond Gram Swing, radio commentator.
The first, an audiovisual one of a baby laughing (for those averse to children, his laugh has an eerily adult timbre), and the second, a purely audio one of BBC cricket commentators Brian Johnston and Jonathan Agnew getting the giggles about Ian Botham failing to get his leg over... the wicket.
I strongly recommend Mr. Goldstein's forthright remarks, which start about one minute into the "commentators" section of the audio recording (click on Item 2 in the audio file; a written version of his remarks is also available).
In an interview at the World Economic Forum on Wednesday, the CNN anchor and political commentator said he uses the audio streaming service ― a hub of rhythmic remixes and clubby dance tracks ― to listen to an album of guided meditation. .
The camera zoomed in on Currier clutching his leg for at least ten seconds; the commentators went quiet, and the producers seemed to have boosted the audio in order to pick up Currier's horrifying, high-pitched wails of pain.
The multi-modal events/features used for excitability measure include: (1) slow motion replay, (2) camera motion activity, (3) scene cut density, (4) commentators' speech in high and (5) low excitement levels, and (6) audio energy.
The court released audio recordings each day, allowing the public prompt access to the substance and tenor of the arguments, unmediated by scholars and commentators.
