The phrase "audiences spirits" is not correct in written English.
It seems to be a combination of two separate ideas, but lacks clarity and proper grammatical structure.
Example: "The performance lifted the audiences' spirits, creating a joyful atmosphere."
Alternatives: "audience morale" or "spirits of the audience".
But to brighten the tear-eyed audiences' spirits, Showtime brought three former stars (four, if you include virtual visitors) back from the dead for "Dexter's" last trip to Comic-Con.
Starting with the mid-1920s and ending in 1965 — when Bob Dylan famously brought the genre to an end by playing an electric guitar — this import from Ventura's Rubicon Theater Company is bound to lift audiences' spirits with its enthusiasm for the homespun style of performing, backed by guitars and banjos.
Even when, as tonight, the squally breeze brings drizzle rather than drowsy warmth, it's never a real threat to audience spirits – particularly if the performer happens to be the year's most successful new act, her debut album Rockferry racking up in the region of two and a half million sales in the four months since its release.
Sharing the bill are the Blind Boys of Alabama, who have been making audiences feel the gospel spirit for more than six decades.
Ms. Sweeney may not believe her audience has spirits to be moved, but that's certainly how it feels.
Samples of rain and tweeting birds add atmosphere, before 'Survive It', co-sung with a female vocalist, consolidates his sound and the audience's spirits.
Having thus lifted his audience's spirits, Mr. Bernanke proceeded to the task of giving them a detailed, fail-safe plan of action.
At times this concept seemed somewhat confused – not that this dampened the Odeon audience's spirits, as they whooped at almost every look from their leopard print seats.
Most of the other songs are excuses for Mr. Siretta's dances, in which noisy tapping, frantic arm waving and constantly accelerating speed exhaust an audience's spirits in the name of raising them.
The flute is not an easy instrument to listen to for an hour and a half or so, but Mr. Khaner kept up his audience's spirits with musicianly playing.
It was a powerhouse two-and-a-half hour performance during which Mr. Springsteen played myriad roles: sometimes he seemed like a gospel preacher trying to raise up his audience in spirit, other times he slipped into an oddly compelling imitation of a 1960s soul singer and at other moments he adopted his hard-bitten folk-singer persona, singing about the plight of the working class.
