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Kit Harington, the Game of Thrones star who found himself at the centre of a row over theatre audiences' behaviour this week, has said criticising young fans could kill theatre.
"We use our own machine learning and mathematical models to analyse audiences' behaviour in real-time, and tailor our suggestions to each publication's audience".
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How are online audiences' behaviours changing?
The other is extrinsically led change, where we focus on specifics such as audiences, behaviours and benefits.
Audience behaviour at the end of a piece is a separate matter, it seems.
"Part of that is a product of audience behaviour, perhaps, and [the cinemas] wanting to take less risk with content".
In my studies of audience behaviour, I found patterns of who talks, where they talk and why.
How do the complexities of audience behaviour and multi-platform viewing change the way a paywall behaves?
As I've written elsewhere, audience behaviour, even in proscenium arch theatre, is extraordinarily variable throughout modern history.
The decline in audience behaviour: everything from mid-show texting to the scrunch of plastic glasses under foot.
"Nobody here yet has built a facility of this kind for the 21st century, with all the changes in audience taste, audience behaviour and the growth of digital.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com