The phrase "audience requirement" is correct and usable in written English.
It can be used when discussing the specific needs or expectations of an audience in various contexts, such as presentations, marketing, or content creation.
Example: "Before finalizing the presentation, we need to consider the audience requirement to ensure it resonates with them."
Alternatives: "audience needs" or "audience expectations".
For this audience, the requirements for practical fusion power sound like they could be met by Inertial Electrostatic Confinement (IEC) fusion.
It's true that the value of the tool goes well beyond just our target audience for requirements development and feedback.
Display dimensions include medium, modality, style, location, audience, and response requirement.
Over the course of two days, presentations, panels and discussions featured results from cutting edge research that explores "creative destruction" in the media ecosystem – including the economic impact of shifting business models, copyright requirements, audience experiences, content delivery, educational methodology, and publish on demand technologies.
The theatricality inherent in any art encounter is put front and center, thanks to the requirement for audience participation.
"Unlike broadcast, our starting point for innovation is the 'on demand' need states of our audience, rather than the requirements of the TV schedule.
One of Douglas's lawyers, Robert L. Esensten of Beverly Hills, Calif., said the target audience and the eligibility requirements had no overlap.
But there is something else that keeps Bozulich cult: her requirement that audiences give, too, meeting her truth and energy and darkness with their own.
The Lincoln Center Festival had long been interested in staging this "Boris Godunov," but the production's physical requirements — the audience seating on two sides of the stage — meant it did not fit into the festival's usual performance spaces.
Still, we were mere sprinters in comparison with viewers of the early work of Ken Campbell (1941-2008), theatre's most persistent thief of time, which included a 22-hour staging of Neil Oram's The Warp, its length exacerbated by the requirement for audiences to be on their feet for much of the action.
