Audience: Readers whose tastes run across the board.
Audience: Readers whose interests in design range from dollhouses to prison cells, electric chairs to igloos.
Audience: Readers eager to go "off the grid" and follow, for example, a Microsoft executive who takes "refuge in his eco-friendly getaway in Los Zacatitos, Mexico".
Audience: Readers who are sophisticated yet quirky enough to appreciate an annual roundup of 100 people, places and things the editors admire.
No longer just an audience, readers will become assets, and eventually writers will be judged not for the number of books they sell but for the quality and breadth of their networks.
The "willing suspension of disbelief" is the idea that we (the audience, readers, viewers, content consumers) are willing to suspend judgment about the implausibility of the narrative for the quality of our own enjoyment.
From our experiences, we see that audiences (readers, listeners, viewers) consume content by type (video vs. articles vs. podcasts) and not categories (auto, business, fashion, etc).
If you refer to a plot "twist" or "coup", are you distorting the audience or reader experience?
One of Shakespeare's most intriguing and plausible villains, Iago frequently takes the audience or reader into his confidence, a device that encourages close observation of his skillful manipulations and their disastrous results.
There is no such audience, every reader is a different person".
Any art form that has an audience, a reader or a listener has the opportunity to evoke some human emotion.
