The phrase "audience radio" is correct and usable in written English.
It can be used in contexts related to broadcasting, media, or communication where the focus is on the audience's engagement with radio content.
Example: "The new format of audience radio allows listeners to interact with their favorite shows in real-time."
Alternatives: "listener-focused radio" or "audience-centric broadcasting."
Previously criticised for not reaching a younger audience, Radio 1 was now "more clearly focused on serving a young audience".
Radio 1 is credited with being back in tune with its young target audience, Radio 2 has been revitalised and Radio 4 has introduced a more contemporary tone.
In the first quarter of this year, Grimshaw drew an average of 5.5 million listeners, the lowest breakfast audience Radio 1 has recorded since Sara Cox during her final three months on the job in 2003.
In the first three months of last year, boosted by a stellar performance by its new breakfast DJ Chris Evans, it had 14.6 million listeners, the highest audience Radio 2 – or any other station – has had since Rajar records began.
And with no direct competition and an increasingly affluent audience, Radio One is being rated as a strong buy by the analysts who follow the stock, which closed Friday at $10.13.
At the peak, they sang a reconciliation, then turned to praise for V.I.P.'s in the audience: radio disc jockeys and musicians from salsa's younger generation (India) and its older one (Ismael Rivera, whom Mr. Santa Rosa extolled as an idol).
Monteria Ivey, who combined urban brashness with a sensitive ear for the inflections of real people to produce giggles and guffaws for live audiences, radio listeners and book readers, died on Dec. 13 in Manhattan.
Confidential Recordings has released two CD compilations of favorites on the show; for the first one the D.J.'s earned $28. Unlike television, which has entire cable networks devoted to young audiences, radio has not really discovered children.
Women represent half the audience for radio and 8percentt of radio hosts.
Maybe songwriters have just been doing their job and reflecting the collective obsessions of their audience... Radio thrives because it's a cheaper and more forgiving medium than TV and video - a pleasant accompaniment to daily life, rather than yet another demand on our undivided attention.
But, in reality, the middle-class audience to Radio 4 is fabulously varied".
