Sentence examples for audience merging from inspiring English sources

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The Guardian US, with its digital-only newsroom in New York, covers US news for an online, global audience, merging the innovation and energy of a start-up with the groundbreaking, award-winning journalism and backing of the Guardian brand.

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In the dark, in the moment when something happens on stage and radiates out, actors, writers, directors, technicians and audience merge in a celebration of "aliveness" that other arts can only suggest.

When the group finally took the stage, the crowd's energy solidified, as if every member of the audience merged into one giant pumping fist, chanting the words "Wolf Gang" over and over in unison like so many little street wear clad monks in a whole different kind of monastery.

Without ever acknowledging it, "24" harnessed the nudity and emotional exposure of torture to arouse the audience, to merge our bloodlust with something libidinal.

To achieve this, FIELD and Kamp took what they call a "modular" approach to the soundtrack, creating a pool for remixing the musical content, and a library from which they could augment the animations while defying audience expectations of merging sound and image.

The Vanishing In 1988, this Dutch thriller electrified audiences with its pitch-perfect merging of ordinariness and sheer torture.

Directed by Jack Cummings III — and featuring a cast with comely bodies and impressive stage credits — this production aims to underline such desolate sentiments by merging them with an audience's uneasiness as voyeurs.

Both ads should begin with the scene of George Bush to a black-tied, bejeweled audience saying, "You are my base", merging to Joe Barton apologizing to BP.

In 1977, Woody Allen could count on a wide audience for a joke about the two magazines merging and forming "Dissentary" (see "Annie Hall").

We have all been to a church or a concert without merging with the rest of the audience into some sort of hive mind.

He often uses editing as a way to represent the characters' psychological states, merging their subjectivity with that of the audience.

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