The phrase "audience implication" is correct and usable in written English.
It can be used when discussing the assumptions or interpretations that an audience may have regarding a particular message or content.
Example: "The speaker's use of humor had a strong audience implication, suggesting that the audience was expected to relate to the topic on a personal level."
Alternatives: "audience assumption" or "audience inference".
The lesson here is don't just trust your intuition – let the data lead you to the most appropriate audience". The implications for targeting advertising, especially in the internet environment are very straightforward here - data should be used to disproportionately target those with higher propensity to purchase in the product category you are selling.
Press reaction was hostile after Hitchcock, far from producing a piece of propaganda, delivered a complex drama as tense dramatically as it was brilliant technically in which the characters, and by implication the audience, are made to face up to what is required to win a war.
When content is geared at a younger audience, there is this implication that the consumer will be less discerning, easier to please.
And by implication, the audience are made to feel just as arrogant".
-- and hopes the answer is very complicated and that the audience will "chart its implications and engage in critical, deductive thinking".
The simplest dramatic form, the monologue, often compensates by crowding the stage through implication, as audiences will discover at the New Vic in Newcastle-under-Lyme, the latest theatre to revive Alan Bennett's solo pieces, Talking Heads.
The semiotics of tourism, the tourist industry as patron, the tourist as audience, and the visual implications of new forms of travel explored via the work of Cole, Moran, Jackson, and others.
The semiotics of tourism, the tourist industry as patron/tourist as audience, and the visual implications of new forms of travel will be explored via the work of Cole, Moran, Jackson and others.
His eyes are open and receptive, rather than blinded by familiarity: censorship of Japanese cinema during the American occupation, while "not exactly a secret", is "something that people keep on forgetting to mention"; the popularity, during the silent era, of the narrator-explainer or benshi shows that Japanese audiences, rather than fetishising implication, had always "wanted things spelled out".
This also has implications regarding audience 'projection', since the positioning of self in any one textual act, is at the same time a positioning of audience members, thus acting to construe their personae as well.
