Sentence examples for audience develops from inspiring English sources

As the show's director, Phyllida Lloyd, told The Los Angeles Times, " 'Mama Mia!' is actually quite Brechtian in calling attention to form and the relationship the audience develops with characters onstage".

The audience develops an understanding of Ray's profound sense of loss - his gratitude for Fredric's support of Ray's childhood tinkering, his appreciation of the music Fredric lovingly composed, his disappointment in the human physiological deficits that inflicted Fredric in his fifties, and his driving frustration that science failed to save his father.

And as Angel Haze powers through track after track from her Back to the Woods mixtape (for now freely available to all via Soundcloud), her rapport with the audience develops a warmth far beyond the fairly strict etiquette of personal space usually observed by visiting US rappers.

And as the audience develops, so too the media must follow - and that means better technology, better innovation, better content and - crucially - better journalists.

All of the five senses are heightened as the audience develops new means of interacting with the piece, realizing that their response greatly impacts the art and the ways these forms are moving over time.

So, as a small, specialized audience developed, mainstream listeners tended to lose touch with Handel and Bach, even Haydn and Mozart.

Because of the culture of taping and collecting around the concerts, the audience developed a kind of intellectual equity in the band.

Unlike other companies, which are focused on selling blockbuster titles at ever-lower margins in big-box retailers, Acorn has a business model in which "they identify a set audience, develop a relationship with that audience and develop a portfolio that's going to work with that audience," Mr. Randisi said.

But as an artist-run "indie" alternative, it is helping to introduce new options to the standard model for commercial manufacture, thanks also to a young, new audience developing for contemporary domestic design.

As he wrote to Jacopo Ferretti, his librettist for Torquato Tasso, 'Success consists of doing little and making that little beautiful, and of not singing a lot and boring the audience.' By inclination, perhaps, a radical, Donizetti never outpaced that audience, developing the operatic forms that he had inherited from Rossini rather than reinventing them.

"After four years of building an audience, developing a brand and developing trust with our viewers, we were effectively and utterly silenced".