The phrase "audience desires" is correct and usable in written English.
It can be used when discussing what an audience wants or expects from a performance, presentation, or piece of content.
Example: "Understanding the audience desires is crucial for creating engaging and relevant material that resonates with viewers."
Alternatives: "audience expectations" or "audience needs".
Where Mr. Chou and Mr. Huang frustrated audience desires, Fang-Yi Sheu pandered to them.
Just as railroad companies should have realized they were in the transportation business rather than the railroad business (and thus they missed the opportunity to get into the auto or air transportation business), media companies should recognize their business purpose is to connect their audience with products and services the audience desires.
First, that an editor should serve as oracle for what the audience desires (I call this the "Editor Fallacy"); and second, that content created in that vacuum of data should then be distributed as broadly as possible (let's call this the "Broadcast Assumption").
For an artist who strives so mightily to convince us of his good nature, there's something truly cruel in his sculptures' indifference to any audience desire for profundity, complexity, or even adulthood.
Ten years ago, ad agencies were creating media plans that used site content as an inviolate proxy for the audience desired by an advertiser, which is the 300-year-old "media scarcity" model.
"We have to adjust our expectations to reflect current audiences' desire for a less confrontational approach than theater in the '60s and '70s," he continued.
Whether we call it jazz, world beat or Gypsy music, what audiences desire is pulse, an instinctive rather than a reflective moment, and the sexiness of the exotic.
Overall the box office was up around 16% from this weekend last year, which Dergarabedian said was attributable to the quality of the new films, audiences' desire for some escapism before the election on Tuesday and the diversity of content.
It's safe to say that some of the anticipation here for Mr. Wong's new film, "2046," a sequel to "In the Mood for Love," has to do with audiences' desire to see Mr. Leung's enchanting character again.
However, the MPPDA took the opposite stance when questioned about certain so-called "message" films before Congress in 1932, claiming the audiences' desire for realism led to certain unsavory social, legal, and political issues being portrayed in film.
Here, rehashing the past is essential to the characters' motives and the audience's desires.
