The phrase "audience concerned" is correct and usable in written English.
It can be used when referring to an audience that has a specific interest or worry about a particular issue or topic.
Example: "The presentation addressed the audience concerned about climate change and its impact on future generations."
Alternatives: "audience interested" or "audience worried".
The mania that Danes acted in Carrie, painstakingly researched and played with full abandon, had some in the show's audience concerned for her own sanity.
A deconstruction of the CBC's "free airport WiFi" report was conducted thoroughly by a cybersurveillance blogger named Peter Koop, who runs a site called Electrospaces geared to a more expert-level audience concerned with online spying.
The former Rainforest Alliance President and current Director of the Center for Sustainable Business at NYU Stern, Tensie Whelan, reminded the audience concerned with the potential impact of the new administration on climate initiatives, that, of the US latest GDP of close to US$188 trillion, US$15.6 trillionn came from business in the US.
The challenge that our play presents to its audience concerns the here and now, asking how we live our lives today and how we treat one another within the conditions of our own Brave New World.
The application is critical to visualize and communicate with interested audience concerning the dynamics of participant-DCV interactions.
Key character beats occur off screen, major developments are mentioned merely in passing, and there are at least a few moments where director Patrick Lussier out and out lies to his audience concerning explicitly onscreen events.
To audiences concerned with sustainability and climate change, the show sends mixed messages.
He lectured widely on complex Talmudic subjects and frequently addressed Jewish audiences concerning ethical issues, with emphasis on interpersonal relations and the importance of respect and consideration between spouses.
This first-order inquiry cannot proceed without acknowledgment of claims made by media and cultural theorists, art theorists and art audiences, concerning the way digital image- and sound-making technologies are fundamentally changing our understanding of art, representation, and perceptual experience.
And he pleased the crowd with his no-issue-too-small attention to audience concerns, from arcane boating issues to local road-resurfacing projects.
At present, though, and despite its achievements, our research shows an audience concern that BBC One plays it too safe in parts of its peak-time schedule.
