The phrase "audience composition" is correct and usable in written English.
It can be used when discussing the demographics, characteristics, or makeup of a specific audience in various contexts, such as marketing, research, or media analysis.
Example: "Understanding the audience composition is crucial for tailoring our marketing strategy effectively."
Alternatives: "audience demographics" or "audience makeup".
"That will look at a full gamut of issues relating to Q&A – the audience composition, choice of topic, choice of guest, objectivity and balance," he told parliament.
Shows like "Idol" continue to be able to charge sizable premiums to advertisers because the audience composition includes a lot of those younger people — and in a better concentration.
M Metrics, a mobile media measurement firm, and Admob, the largest mobile advertising firm, released a study today on audience composition for mobile advertising.
The range comprises general factors such as audience size or audience composition as well as content-specific attributes like the topic of a message.
Games are tied to technological and platform constraints in a way that most other media doesn't have to deal with, so the audience composition of a platform seriously affects what works on that platform.
Audience perception and comprehension improves with addressing audience composition, content of lectures and workshops, delivery by the lecturers and on-going dynamic modification based on feedback from all participants.
November 10, 1879 Springfield, Illinois December 5 , 1931Springfield, Illinois Vachel Lindsay, in full Nicholas Vachel Lindsay (born Nov. 10, 1879, Springfield, Ill., U.S. died Dec. 5, 1931, Springfield) American poet who in an attempt to revive poetry as an oral art form of the common people wrote and read to audiences compositions with powerful rhythms that had an immediate appeal.
The police openly targeted black music and monitored audiences' ethnic composition through the notorious Form 696.
He challenged his audiences with compositions that suggested that theatrical performance and perfunctory details of the every day could be experienced as music.
No such term appears in the dictionaries of quotation or in Amis's B.Litt thesis (with its discussion of the role of the 'inner audience' in poetic composition).
Coltrane would often discard the principle of harmony in order to produce a trancelike effect on his audience; his later compositions recall the scalar complexity of North Indian classical music more than anything in the Western tradition.
