The phrase "attributed to a follower of" is correct and usable in written English.
It can be used when discussing the origin or source of a particular idea, work, or statement that is linked to a specific follower of a person or movement.
Example: "The theory was attributed to a follower of the renowned philosopher, who expanded on his ideas in a unique way."
Alternatives: "credited to a disciple of" or "ascribed to an adherent of".
A "Flight into Egypt" attributed to a "follower of Cornelis Massys" opened the sale.
One tweet attributed to a follower of Pegida, the anti-Islam, anti-immigrant protest group, stated: "Merkel … you're an accessory to the abuse at Cologne".
"Rembrandt Laughing," a 1628 image on copper, surfaced at an obscure auction house in England six years ago where it was attributed to a "follower of Rembrandt".
The painting shows an old, weary man slumped in contemplation in his armchair and has spent more time in the National Gallery's storeroom than on display because it is attributed to a follower of Rembrandt rather than the artist himself.
Until a few months before the sale, the painting that was originally in the collection of the Liechtenstein family had been attributed to a follower of Rubens, Jan van den Hoecke Jan van den Hoeck.
The third painting imaged is titled Maestà or Madonna and Child with Four Angels, and is a late 13th century Sienese panel painting attributed to a follower of Duccio di Buoninsegna.
Two known copies exist: an unsophisticated panel sold in Munich to a private collector in 1934, and an oak panel attributed to a follower which is in Kreuzlingen, Switzerland.
It is attributed to a Venetian follower of Marco Romano.
It was also characteristic of Lehman that when dealing with drawings he never ran for cover at the words "possibly by," "attributed to," "follower of," "circle of" or even "copy after".
Meyer Schapiro, the great American art historian, along with John Pope Hennessy, an authority on the Italian Renaissance, attributed it to a follower of Cimabue.
Towards the end, he witnesses the aftermath of the 11-M commuter-train bombings, attributed to followers of al-Qaida – presumably one reason the book is named after Madrid's main station, another being that it's also the title of an early John Ashbery poem.
