The phrase "attractive dialogue" is correct and usable in written English.
It can be used to describe conversations or exchanges that are engaging, appealing, or interesting to the audience.
Example: "The film was praised for its attractive dialogue, which kept the audience captivated throughout."
Alternatives: "engaging conversation" or "captivating dialogue".
Many of its devotees have been fishermen, but Walton's attractive style in dialogue and description, his enthusiasm for innocent outdoor recreation, and his genial partiality for the past have lifted The Compleat Angler out of the category of handbooks into that of the pastoral.
Many students find the dialogue form attractive. Done well, it can be very effective.
Now, as I remarked previously, one of the amazing things — not amazing but one of the really attractive things about Plato's dialogues is, you raise an objection and it often seems as though Plato himself, whether or not he explicitly states the objection, seems aware of the objection, because he'll go on to say something that is responsive to it.
They suffer and they grab at the clothing of our attractive leads, but they get minimal dialogue and zero depth.
These days, their favorite avoidance strategy is to state a preference for private "dialogue" and "cooperation" — an attractive option because it takes place behind closed doors.
Because the conventional arms competition in the western Pacific may be heightening Chinese concerns about the survivability of its nuclear forces, such a dialogue might appear more attractive to China than one narrowly focused on nuclear weapons.
(Neil Genzlinger) 'MANUSCRIPT' Three talented, attractive young actors and some skillfully shaggy dialogue are the only reasons to see Paul Grellong's inconsequential play, a revenge tale centering on the theft of an unpublished manuscript expected to be of great literary merit.
And you have to admire the effort its attractive cast expends pumping life into stilted, flowery dialogue that confuses pretentious attitudinizing with profound insight.
The costumes and sets are attractive without being fussily art-directed, and the dialogue flows out of the everyday business of life on the road, with the itinerant brood forced to bed down wherever they can.
While this is hardly news, Ms. Reingold and Ms. Robinson dispense this world view with attractive blitheness, overlapping conversations and intersecting monologues and dialogues with cinematic ease.
