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The passage may strike readers today as a case of moral overloading — a caricature of attitudes whose virulence we already acknowledge.
Modern art embraces a wide variety of movements, theories, and attitudes whose modernism resides particularly in a tendency to reject traditional, historical, or academic forms and conventions in an effort to create an art more in keeping with changed social, economic, and intellectual conditions.
In another article on shared responsibility and racist attitudes, whose arguments apply equally to sexist attitudes, May argues that "insofar as people share in the production of an attitudinal climate, they participate in something like a joint venture that increases the likelihood of harm" (1992, 47).
In short, institutions and agents operating within them take actions, including the action of producing certain texts or utterances, and hold a variety of attitudes, whose role as determinants of legal rights and obligations is itself determined by the moral principles in play.
"But the fear, arrogance and ignorance displayed by people like Brigette Gabriel (whose angry response to my question at Heritage sparked the online backlash) are simply attitudes whose time is passing".
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"Urban culture is consumers of like mind-set, like attitude, whose race, gender or socio-economic background are not defining factors," said Marc Stephenson Strachan, executive vice president and chief marketing and operations officer at Vigilante.
Lleyton Hewitt was a master of niggle, a man short on talent and big on attitude whose return of serve was just shaved for quality by his extreme verbal abrasiveness; more than anything the man argued his way to world No1.
In 1991, a New York Times review of Mr. Seagal's movie career described him as the reigning action-movie star of the time, a "guy with a scowl, a ponytail and an attitude" whose first three films had worldwide box-office and video receipts totaling more than $200 million.
Because Ice Cube records were made by the self-styled Nigga Ya Love To Hate, founder member of seminal gangsta rappers Niggaz Wit' Attitude, whose solo career later chronicled a decade of crisis for urban (read black) America; a decade of Rodney King, LA riots, gangs, crack and OJ Simpson.
On a trip to a store, she walks in on a scene — a band of teen-agers and young adults, led by an exuberant man with a devil-may-care attitude whose antics get him and the others thrown out of the store and threatened with arrest.
McCarthy is a brilliant comedian of language and attitude whose dialogue in the film is largely reduced to advancing the plot (though she does have one of the movie's most brilliant moments of performance: the eerie chill when she's possessed by a ghost).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com