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I don't have an attitude of jazz as repertory.
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By Gary Giddins For all her starlike charisma, Wilson seems intent on maintaining the attitude of a jazz sideman.
Dregni does a very good job of unpacking Goebbels's attitude toward jazz — that as Negro-American music it was debased but as dance music it was important to the war effort — and shows that Django played night after night in Paris, throughout the war, for an audience of cheering S.S. men and German soldiers.
The way that these young men do their own thing, precisely timed to period-perfect arrangements of jazz, exemplifies this production's appealingly relaxed attitude to the past.
Patti LaBelle has a "new attitude" toward music as she pays tribute to the history of jazz with the release of her new album, "Bel Hommage".
One is Jazzwise, which has a fantastic contemporary attitude towards jazz that in some ways is reflective of the programme I present.
His attitude is more that of a bratty post-punk rocker dazzled by the potential of jazz to go anywhere and be anything.
Our attitude toward the classical canon, after all — and this increasingly applies also to older forms of jazz and pop — is that great music transcends time.
Although I find his non-psychological approach, in which raw tunefulness and a friendly attitude trump interpretive subtlety, can quickly wear thin, it goes all the way back to the original prime mover of jazz singing, Louis Armstrong.
History of jazz.
She talked jazz, she swung jazz, she ate jazz, she danced jazz, and she lived the past and future of jazz.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com