Sentence examples for attention on formulating from inspiring English sources

The phrase "attention on formulating" is not correct in standard written English.
It would be more appropriate to say "attention to formulating."
Example: "We need to focus our attention to formulating a clear strategy for the project."
Alternatives: "focus on developing" or "emphasis on creating."

Exact(1)

On the "determination rule" analysis, we must either limit the scope of such arguments to cases where we have a well-supported determination rule, or focus attention on formulating and justifying an appropriate determination rule.

Similar(59)

They are also working on formulating a liquid detergent, and preparing a radio campaign.

But it again brought attention on officials.

Well designed PN intervention to evaluate the impact on STI prevalence and incidence outcomes with cost effectiveness data may motivate policy makers in developing countries to pay more attention formulating policies to improve quality of care in STI service facilities to promote PN.

Government decisions and their outcomes, namely the enactment and subsequent implementation of organ transplants, attracted public attention and helped formulate public opinion on the issue, more than did the processes leading to enactment.

No V.A. official was able to explain why, when other combat traumas have been so carefully studied and treatment models formulated, the V.A. focusses so little attention on this one.

This supports the notion that attention can be formulated as optimizing the confidence in (or precision of) the inference on sensory input (Friston 2009).

We are using the outcomes of two RCTs that used attention controls to formulate expected effects.

The attention span involved in formulating a menagerie out of cloud shapes in the sky while lax on one's back in the grass has been eclipsed by what's interesting on-screen 20 inches away, and conscientious parents will troop their youngster to a planetarium, as to the dinosaur hall next door.

Reinforced by his studies with Meyer-Eppler, beginning in 1955, Stockhausen formulated new "statistical" criteria for composition, focussing attention on the aleatoric, directional tendencies of sound movement, "the change from one state to another, with or without returning motion, as opposed to a fixed state" (Decroupet and Ungeheuer 1998, 98 99).

But did Oribe, in fact, take a hands-on role in formulating these styles?

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