The phrase "atomic holocaust" is correct and usable in written English.
It can be used in discussions about nuclear warfare, the consequences of atomic bombings, or the broader implications of nuclear weapons on humanity.
Example: "The documentary explored the devastating effects of the atomic holocaust on the cities of Hiroshima and Nagasaki."
Alternatives: "nuclear devastation" or "atomic catastrophe."
John Hersey's Hiroshima (1946) was a deliberately controlled, unemotional account of atomic holocaust.
The fear of atomic holocaust and the extreme self-protective measures people will take is satirized in a pair of lifesize, one-person vehicles by Kenji Yanobi.
It isn't just atomic holocaust but war itself that this Continent is learning to reject, for the reasons to which Verdun gives testimony.
In the game the player begins as a baby, and then picks up as a young adult who has grown up in a locked underground vault with other survivors of the atomic holocaust.
This was the man who realised that Wagner was rock'n'roll and that rock'n'roll is Wagner - if only people would realise; the composer who arranged to have his ouevre stashed away on microfiche in a nuclear shelter, so that it would be the only art to survive an atomic holocaust.
The muted decline relative to the steel meltdown also is a stunning example of the market's cold logic: There's no point to making a winning bet on an atomic holocaust.
Bock's novel has the unapologetically obvious schemata of allegory -- an automatonlike German atomic scientist, a Holocaust refugee (named Sophie, no less) who makes her choices, a burn-victim filmmaker.
Completing the movie in 1947, Chaplin also infused it with allusions to the atomic bomb and the Holocaust.
Just look at his subjects: the atomic threat, Aids, the Holocaust, the terror of 11 September and now, in Koba the Dread, the gulag and the murderous crimes of Stalin.
But games set in the second world war – which has been deemed acceptable as a backdrop to gung-ho shooters like Call of Duty and Brothers in Arms – tend not to address the disgrace of civilian bombardment, let alone the horrors of the atomic bombings or the holocaust.
It will situate the analysis of literature against a historical backdrop that includes such key events as the Holocaust; the atomic bomb; the Beatniks; youth counterculture; the women's, peace, and Civil Rights movements; the Korean, Vietnam, and Gulf Wars; the energy crisis; globalization; the rise of the internet; and the War on Terror.
