The phrase "atelier from" is not correct and does not convey a clear meaning in written English.
It may be intended to refer to a location or source related to an atelier, but it lacks context to be usable.
Example: "The artwork was inspired by the designs from the atelier from Paris."
Alternatives: "atelier in" or "atelier of".
The pastry chef, Jean-François Bonnet, comes to Atelier from Cello.
Container Juvelen Three years ago, the artist and jewelry maker Gitte Helle moved her atelier from Copenhagen to Svaneke.
Just as important, Mr. Toledano said, "he respected the people inside the atelier, from the first moment he joined the company".
The Dutchman, stiff as a board and invariably dressed in pinstripes and patent leather shoes, was bewitched by the jazz that seeped through the thin walls of his atelier from the dancing school next door.
Attention to such minutiae, along with the principles of hand sewing and creating paper models, is what she hopes to impart to her students in a new series of evening courses she will be running at her atelier from mid-September.
The House of MacGregor (thehouseofmacgregor.com) feels like a Parisian atelier from its perch atop a converted auto body garage and is both studio and shop for Cassie MacGregor, who left a career at an auction house to design hats worn by Kentucky Derby socialites.
Most of the aficionados of the Gmeiner atelier come from abroad, and pay upward of 1,800€ for a pair of shoes.
First, in a small annex next to the main atelier, hairs from different batches are placed on a small conveyor belt and run through a compacting machine about 10 times to achieve an even mix with a uniform color and texture.
Jeweller Fanny Chaléon works on every exclusively numbered piece in her Paris atelier, taking inspiration from 1940s film noir and her treasured vintage finds.
Links between generations have become clear, as have the influence of brother upon brother, the place of an artist in an atelier, the travels from one court to another and the influence of imported European art.
Waltz's costume-makers had been working with designs and materials that van Herpen's atelier had sent from Amsterdam, and now van Herpen would see how the costumes moved on the dancers' bodies.
