The phrase "at the narration" is not commonly used in written English and may sound awkward in context.
It could be used when referring to a specific point or aspect during a storytelling or narrative process, but it is not a standard expression.
Example: "The author made a significant change at the narration, altering the perspective of the story."
Alternatives: "during the narration" or "in the narration".
At one point in the narration, the narrator states a kind of "article of faith" that ratifies these places' right to exist: these places are, in and of themselves, perfect; nothing humans can do can add to what is here; anything we add can only mar this place.
He wrote mostly monologues, or at least the narration seemed to emanate from a single voice, though the books were not necessarily narrated in the first person.
At times the narration (read by the actor Liev Schreiber) becomes too schematic; it emphasizes the conflict between science and religion, although Galileo's fight was more specifically about the church and its grip on power.
"Their expectations were at best uncertain," the narration says.
"As precise and scientific as a production line at Coventry," honked the narration.
At unexpected moments, the narration shifts briefly into the second person, placing us right in Pete's life.
Although he credits the production for "getting its science lesson across in a superficial way", he expresses a negative view of the narration, remarking that "at times Ed [Bishop] comes across like a presenter of one of those old schools programmes from the 70s, just imparting a string of dry facts".
At one point in the narration, Bourdain says, "This is not the show we went to Lebanon to get".
The narration at the beginning of the show states some variation of the following: This is the true story... of seven strangers... picked to live in a house... who work together and have their lives taped.
Barely moving at first, she begins the narration of the life of an unnamed Girl, from the age of two to 20.
