The phrase "at the foreground" is correct and usable in written English.
You can use this phrase when you want to emphasize something that stands out as important or as the most obvious feature. For example: "The flowers at the foreground of the painting created a beautiful contrast with the background."
But we're left staring at the foreground, the vacant interior of her home, whose brooding silence evokes the emptiness of a murdered soul.
It's very important in a leadership role not to place your ego at the foreground and not to judge everything in relationship to how your ego is fed.
Yet here it was, at the foreground of the effort to win a stay of execution for Davis and roll back the use of capital punishment nationally.
At the foreground of every track is a drum part executed, with slippery precision, by Ahmir Thompson, a k a Questlove, the brain behind the Roots, and a musical savant whose obsessiveness rivals Mr. Costello's.
There's barely a trace of that carbonated flair in the new version, which puts Mr. James and the trumpeter Rick Braun at the foreground of a groove perhaps best classified as Santa Barbara Funk.
(Chinen) ★ Eddie Palmieri and La Perfecta II (Thursday) Mr. Palmieri, a tirelessly charismatic pianist and one of the great bandleaders in Latin music, rose to prominence in the 1960s with Conjunto la Perfecta, which put the blare of trombones at the foreground, in place of trumpets.
The mine was a model and photographed separately, so it could be in focus at the same time as the foreground – but it was all there.
From the beginning Mr. Clark, who died on Wednesday at 82, embodied the stereotype of a certain kind of neutral broadcasting personality skilled at occupying the foreground while remaining in the background.
From the beginning Mr. Clark, who died on Wednesday at 82, embodied the stereotype of a certain kind of neutral broadcasting personality skilled at occupying the foreground while remaining in the _________.
And Maxwell, in a slim gray suit, was endlessly at ease in the foreground, not only cooing suave assurances but also exulting in his prowess.
The directors concentrate on three or four characters and on common domestic situations (a professor's dowdy, book-shadowed apartment is a familiar setting); they keep the camera still and create very little life — or none at all — in the foreground or the background.
