The phrase "at conceptualization" is correct and usable in written English.
It can be used when discussing the process of forming ideas or concepts, particularly in fields like psychology, design, or project planning.
Example: "The team focused on user needs at conceptualization to ensure the final product would meet expectations."
Alternatives: "during the conceptual phase" or "in the idea formation stage".
"The attempts at conceptualization are particularly pathetic".
Frank Rich describes his former colleague a brilliant editor of "back of the book" [culture, entertainment, city diary] stuff… He's wonderful at conceptualization – anyone can create a book section or a culture section – but he knows how to make it 'pop'pop
Extensive gaps in data availability prevent the mapping of patterns of deficits, the estimation of trends of key variables, and thereby often seriously compromise efforts at conceptualization, policy design, monitoring and impact assessment.
At the conceptualization phase and certain growth inflection points, the right kind of ignorance is beneficial.
Consultation has taken place with clinical investigators at the conceptualization stage regarding the best approaches for engagement.
Local impact assessments at the conceptualization and preparation stage will help to identify the most effective and efficient options tailored to specific local conditions.
The first was focusing on linkages (within policy initiatives, mandates, research or programme objectives, and community priorities) at the conceptualization and design phase of research.
At the conceptualization stage of the study, the trial statistician (PJC) performed a sample size calculation using a statistical software package (Minitab).
For, at the abstract level of conceptualization at which the philosopher operates, he is in no position even to recognize the true nature of the object of his attack.
Conceptualization at the Puerto Rico workshop with participants Lenny Mendez, Tania Gonzales, Adriana García Soto and Javier De Jesus.
The Italian Vincenzo Ragusa, along with other foreign technical experts recruited in the late 1870s, was a major influence in instructing young Japanese artists in bronze casting, although he privately despaired of their abilities at three-dimensional conceptualization.
