Sentence examples for at a distinction from inspiring English sources
Here he aimed at a distinction between what was already invented and known in contrast to "things omitted which ought be there" (Bacon IV [1901], 23).
This research programme aims at a distinction within the concept of proof and thus goes beyond the distinction between a proof as an intensional entity and what is proved as its extensional result, from which this article started (see section 2.1).
Presumably, many of the respiratory problem and fever cases that presented at pharmacies were not perceived as severe and could be managed at home, a distinction which is important for both refugees in terms of reduced out-of-pocket payments and the health system because of the lower consultation burden when minor illnesses are managed at home.
The price was a record not only for Mr. Richter, but also for any living artist at auction — a distinction previously held by a Jasper Johns "Flag" painting from the 1960s, which brought $28.6 million when it sold at Christie's in New York in May 2010.
Some authors take such evidence at face value, drawing a distinction at the ontological level: a good inventory of the world ought to include "negative" events and actions along with ordinary, "positive" ones [Lee 1978; Vermazen 1985; De Swart 1996; Przepiórkowski 1999; Higginbotham 2000; Mossel 2009].
Brian Wilcox, a professor of psychology at the University of Nebraska at Lincoln, draws a distinction between the sort of marketing the Eat Brighter campaign employs and advertising in which characters deliver a direct pitch.
Here one might plausibly contain the spread of presence-at-hand by appealing to a distinction between material (present-at-hand) and lived (existential) ways in which Dasein is embodied.
At the outset a distinction must be made between secured and unsecured creditors.
One ex-employee who worked closely with Bezos warned, "At Amazon, drawing a distinction between content people and business people is a foreign concept".
Unable to tame him, Neil's father turned him over to the Gestapo at the Valley Forge Military Academy (a distinction he shares with J.D. Salinger and, ironically "Stormin' Norman").
At this time a distinction began to arise between the lower-class professional and the elite amateur artist; this distinction would have a great influence on the character of Chinese art in later times.
