Sentence examples for astounding collection from inspiring English sources

The phrase "astounding collection" is correct and usable in written English.
It can be used to describe a remarkable or impressive group of items, such as books, art, or artifacts.
Example: "The museum's astounding collection of ancient artifacts draws visitors from around the world."
Alternatives: "remarkable collection" or "impressive collection".

Exact(14)

An astounding collection of twentieth century art.

Nearby Mosto is devoted to tequila and mezcal, with an astounding collection of both.

There's also an astounding collection of Goya tapestries displayed alongside the painted "cartoons" that served as their models.

"It's such an astounding collection," the eminent art historian TJ Clark told me, "and all the time it provokes questions.

There was now an astounding collection of statistical information for scientists to review and understand, but it took time to develop systems that could accurately assess the information.

In between had come an astounding collection of clothing that was based on pants — not the familiar pantsuit but elongated jackets over skirts and slim stretch leggings.

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Similar(46)

Instead, "An Enlightened Empress" puts the spotlight on Catherine's friendships with philosophers and writers like Diderot, Rousseau and Voltaire, her 40,000-volume library, her rebuilding of St . Petersburgas a neo-classical city, her writing of tracts and her astounding collections of all things beautiful.

But the Modern's astounding art collection hasn't been presented in such conceptually sympathetic surroundings before.

Mr. Bissonnet certainly comes dangerously -- and magnificenty -- close to the hero of "Cousin Pons," a musician with an astounding art collection.

Of course, he wouldn't be where he is today without a considerable vein of cunning, and this can be gauged by his astounding art collection, built up by swapping prints for works by his subjects, who have included Mondrian, Ernst, Leger and de Kooning and nearly every other heavy hitter in the Modernist line.

When in 1927 Lord Iveagh left Kenwood House to the nation, with its astounding art collection – including a Vermeer, a Turner, two Van Dycks, walls full of Gainsboroughs, Reynolds and Romneys, and the greatest of all Rembrandt's self-portraits – he stipulated that it should be displayed as "a fine example of the artistic home of an 18th-century gentleman".

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