The phrase "astonishing shape" is correct and usable in written English.
It can be used to describe something that has a surprising or remarkable form or appearance.
Example: "The sculpture was in an astonishing shape, captivating everyone who walked by."
Alternatives: "remarkable form" or "incredible design".
I read the whole thing over a couple of times, and I'm now reasonably certain that this is the R.W. Madden I went to school with, the fellow everybody called Eggy on account of the astonishing shape of his head.
I read the whole thing over a couple of times, and I'm now reasonably certain that this is the R.W. Madden I went to school with, the fellow everybody called Eggy on account of the astonishing shape of his head... View Article By Phil Klay By Troy Patterson By Alan Burdick By Larissa MacFarquhar.
I read the whole thing over a couple of times, and I'm now reasonably certain that this is the R.W. Madden I went to school with, the fellow everybody called Eggy on account of the astonishing shape of his head... View Article By Rebecca Mead By Jia Tolentino By Atul Gawande By Alan Burdick.
Gehry designs astonishing shapes, and they pack an emotional wallop.
If anything, it is a venture into an undiscovered realm of astonishing shapes and colors.
"Most of us have enjoyed looking into a fireplace, but few of us have observed as well as he has the astonishing shapes and colors and fluidity of fire.
As in his other works, the duets are highlights of bodies momentarily frozen in astonishing shapes of impressive difficulty.
It achieved so much, the breadth of its success is extraordinary and still reverberating in astonishing ways that shape not only our politics but that of the world.
Its catalysts, cataclysms and far-reaching fall-out shape an astonishing number of keenly awaited novels, but the results are imaginative and compelling.
Both artists cast a long shadow: Moholy-Nagy in his architectural understanding of scale, angle and detail, and his subversion of the same; Man Ray in his seemingly instinctive grasp of photography as an essentially surrealist medium, capable of bending the real out of shape in astonishing ways.
Kapadia has shaped this astonishing source material into a riveting, intensely moving tragedy, all without using a narrator.
