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Ken Cowan, associate organist.
Dupré's "Stations of the Cross"; Stephen Tharp, associate organist.
Now Barbara Bruns, the associate organist and choirmaster, starts a chorus of her own, an 18-voice women's ensemble.
Annual reading of Dante's "Inferno" by poets and translators, with organ improvisations; Timothy Brumfield, associate organist and choirmaster.
Handel's "Hallelujah" from "Messiah"; Warren's "Christ Our Passover"; Elgar's "Ave Verum Corpus"; with brass and percussion; Nancianne Parrella, associate organist; K. Scott Warren, music director; Philip Anderson, cantor.
"The Lament of Rachel," a 12th-century chant; Messiaen's "O Sacrum Convivium"; Duruflé's "Ubi Caritas"; Nancianne Parrella, associate organist; Philip Anderson, cantor; K. Scott Warren, music director.
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Messiaen's "Banquet Célèste"; Byrd's "Ave Verum Corpus"; and Duruflé's "Ubi Caritas et Amor Christopherer J. Hatcher, organist and associate music director; James Bowyer, associate music and choir director.
Bruckner's "Christus Factus Est"; Casals's "O Vos Omnes"; Poulenc's "Vinea Mea Electa"; and Lotti's "Crucifixus à 8"; Christopher J. Hatcher, organist and associate music director; James Bowyer, associate music and choir director.
Guerrero's "Maria Magdalene"; Rachmaninoff's "Hymn of the Resurrection"; Morales's "Vidi Aquam"; and Gigout's "Grand choeur dialogué"; Christopher J. Hatcher, organist and associate music director; James Bowyer, associate music and choir director.
Petrich's "Ah, Holy Jesus"; Leighton's "Solus ad Victimam"; Pärt's "Pari intervallo"; Gibbons's "Drop, Drop Slow Tears"; and other works; Christopher J. Hatcher, organist and associate music director; James Bowyer, associate music and choir director.
Renée Anne Louprette, a technically nimble and dynamic organist who is associate music director at St. Ignatius, was the soloist in the next two works.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com