The phrase "associate light" is correct and usable in written English.
It can be used in contexts where you are referring to a connection or relationship with light, such as in discussions about photography, art, or science.
Example: "In this painting, the artist chose to associate light with hope and renewal."
Alternatives: "link light" or "connect light".
Academic studies show that Americans of all colors associate light skin with attraction and intelligence, and dark skin with poverty and fear.
Evidence has later been presented suggesting that the unicellular ciliate Paramecium can learn to associate light and electric stimulations [ 7].
In Norway it is common to associate light pack colours with female smokers, while darker pack colours more often are seen to indicate variants more used by men [ 18], and it is likely that this applies also to colour descriptors, making "gold" or "light blue" more feminine than e.g. "red" or "black".
Although adult epidemiological studies associate light to moderate ethanol consumption with improved insulin sensitivity and wine consumption with reduced cardiovascular risk, other cross-sectional and prospective studies implicate a dose-dependent effect of alcohol in metabolic syndrome, and suggest that chronic consumption of large amounts of ethanol worsen insulin sensitivity.
By getting more sunlight during the day, you can help your brain associate "light" with "wakefulness" and "dark" with "sleep".
Many young babies can sleep with a little light, but others associate light with being awake and active.
OEDIPUS THE KING By Sophocles; translated by Robert Fagles; direction and lighting by Eve Adamson; sets by Robert Klingelhoefer; costumes by Virginia B. Johnson; original music and sound by Ellen Mandel; associate lighting design by David Kniep; production stage manager, Amy Wagner.
MOURNING BECOMES ELECTRA By Eugene O'Neill; directed by Gordon Edelstein; sets by Andrew Jackness; costumes by Paul Tazewell; lighting by Jennifer Tipton; associate lighting design, Paul Whitaker; original music and sound by John Gromada; dramaturge, Beatrice Basso; production stage manager, Kevin E. Thompson; assistant stage manager, Tracey J. Hibbard; director of production, Jean M. Routt.
Sets by Neil Patel; costumes by James Schuette; lighting by Christopher Akerlind; sound by Darron L West; associate lighting designer, Brian H. Scott; movement dramaturg, Barney O'Hanlon; production stage manager, Elizabeth Moreau; SITI managing director, Megan Wanlass Szalla; general manager, Rachel M. Tischler; production manager, Ian Tresselt; producing director, Anne Tanaka.
Maybe she'll even find the answer to one of the big questions in this show: "Where the hell was the emergency broadcast system?" RENO Rebel Without a Pause Production design by Troy Hourie; associate lighting designer, Ben Stanton; stage manager, Carlo Altomare; general manager, Paul Morer; company manager, Michele Jelley.
Being subject to a succession of white ish) overlords has long associated light skin with power, status and desirability among Indians.
