The phrase "associate designer" is correct and usable in written English.
It is typically used to refer to a position or role in design, often indicating a level of experience that is less than a lead or senior designer.
Example: "As an associate designer, I collaborated with the senior team to develop innovative concepts for our latest project."
Alternatives: "junior designer" or "design assistant".
In 1963, Mr. Bury left the Theater Workshop and embarked on a long and fruitful partnership with Peter Hall, for whom he first worked at the newly formed Royal Shakespeare Company, where he was associate designer and then head of design.
The collaborative element of theater appealed to him, Mr. Napier said, and he went on to design for the Royal Shakespeare Company, where he is an associate designer, and for the Royal National Theater.
He began his career in 1972, designing at the National Ballet of Washington, then returned to be associate designer at the Royal Lyceum Theatre, Edinburgh.
The bride, 28, is an associate designer at Halston, the women's-wear designer, in Los Angeles.
Stephen Chu, the associate designer on the project, said the size of the lobby had increased by 70 percent.
Mr. Ciongoli, also 24, is an associate designer of the Rugby sportswear line at Ralph Lauren in New York.
Selected artists are given a one-year contract as associate designers; if their contract is renewed, they may be upgraded to master designers.
The production team includes Betsy Ellsworth (Stage Manager), Carina Don (Assistant Stage Manager), Caitlin Cisek (Costume Designer), José Luis MAssociateoraleSetAssociate Set Designer), Paula Weaver-Timoney (Lighting Designer), Kate Foretek (Sound Designer), Patrick LaChance (Associate Sound Designer) and Terry Gsell (Scenic and Projection Designer/Technical Director).
At a conference table in the offices of Jules Fisher and Peggy Eisenhauer, the show's lighting designers, Mr. Napier; Keith Gonzales, the associate scenic designer; and Lisa Podgur Cuscuna, who worked on projections, pored over a 60-page notebook that delineated each scene in the show.
Maybe she'll even find the answer to one of the big questions in this show: "Where the hell was the emergency broadcast system?" RENO Rebel Without a Pause Production design by Troy Hourie; associate lighting designer, Ben Stanton; stage manager, Carlo Altomare; general manager, Paul Morer; company manager, Michele Jelley.
CANDIDA By George Bernard Shaw; directed and designed by Tony Walton; lighting by Richard Pilbrow; associate set designer, Heather Wolensky; sound by Zach Williamson and Jana Hoglund; wig and hair design by Robert-Charles Vallance; dialect coach, Stephen Gabis; production stage manager, April A. Kline; produced by Ciaran O'Reilly; co-produced by Alexis Doyle.
