The phrase "assistant light" is not a standard or commonly used expression in written English.
It may be used in specific contexts, such as referring to a type of lighting associated with an assistant or a feature in a device, but it lacks clarity without additional context.
Example: "The assistant light on the device helps users navigate in low-light conditions."
Alternatives: "supportive lighting" or "auxiliary light".
Lighting by Frank Den Danto III; assistant lighting designer and technical director, Derek Lloyd; technician, Guillermo Prieto; assistant to Ms. Finley, Michelle Rosenfeld.
"I haven't had a part like this since 'Dynasty,' " said Ms. Collins as an assistant lighted her cigarette.
THE DANCE OF DEATH By August Strindberg; translation by Edwin Bjorkman; directed by Karen Lordi; sets by Robert Klingelhoefer; costumes by Robin I. Shane; composer, original music, Robert Pound; production stage manager, Allen Hale; lighting by Brian Aldous; assistant lighting designer, Owen Moldow; assistant director, Kim Tracey.
By Ricardo A. Bracho; directed by Ela Troyano; sets by Regina García; costumes by Meghan Healey; lighting by Shawn Kaufman; sound by Robert Kaplowitz; production manager, Evan Schlossberg; production stage manager, Susan D. Lange; assistant stage manager, Lisa Lawlor; assistant lighting designer, Kevin J. Hardy.
Directed by Mr. Philippou; sets by Peter Nigrini and Mr. Philippou; projections and lighting by Mr. Nigrini; costumes by David Rigler; sound by Jeffrey Yoshi Lee; original music by Michael Cerveris and Will Johnson; choreography and movement by Deborah Lohse; assistant lighting designer, Jon Donk.
SNATCHES Written and directed by Laura Strausfeld; sets and projections by Lisa Strausfeld; lighting by Martin Stevenson; sound by Samuel Tresler; dramatury, Phil Kasper; assistant lighting design by Gabriel Faure-Brac; sound board operator, Edith Blackman; stage manager, Lisa W. Webb; wig stylist, Angela Gallagher.
"The audience will think, 'He's dying pretty good.' " Mr. Cusick got started in New York theater as an assistant lighting designer on Mr. Letts's "Bug," a play that many young horror artists cite as decisively demonstrating that stage scares can be just as intense as screen thrills.
The associated latencies as the assistant lights the subject, and the communication required from the photographer to achieve optimum lighting could mean missing a critical shot.
The assistant lighting designer used a full-sized GrandMA console.
