The phrase "assimilated world" is correct and usable in written English.
It can be used to describe a world or environment where different cultures, ideas, or practices have been integrated or absorbed into a cohesive whole.
Example: "In an assimilated world, diverse cultures coexist harmoniously, enriching the social fabric of society."
Alternatives: "integrated society" or "blended environment".
Anne Frank and Primo Levi, born in the decade after the end of the first world war, came from the assimilated world of western European Jewry: Frank, born in Frankfurt, spoke Dutch and lived most her life in Amsterdam.
How women cover their hair, what kind of coat a man wears, whether he trims his beard, shaves it or lets it grow full, the kind of cap, the kind of coat, the kind of shoes -- all bespeak not merely poverty or prosperity but the extent to which a man or woman has left the world of the shtetl and entered the assimilated world.
We can also help our economy grow if we have a legal immigration system that allows us to attract and assimilate the world's best and brightest.
Leinster pointed out that they had not had much time to assimilate their World Cup players, but they tended to be rested by the national side anyway for the first few weeks of the league season in readiness for Europe.
It is failure of imagination that has led successive generations of sceptics to imagine Shakespeare as their contemporary and assimilate his world to theirs, their judgments on his life and times guided by values that are anachronistic.
One of these is our ability to attract and assimilate the world's best and brightest," said Vivek Wadhwa, executive in residence at the Pratt School of Engineering's Master of Engineering Management Program.
We buy because we are desperately trying to assimilate the world external to us, to make our selves bigger.
I belong to the legion that believes that arts are the best portal to develop self-expression but also learn and assimilate the world around us.
Instead, she was to be quickly assimilated into a world of sex slavery.
Issa (whose real name, Christian, is especially loaded in a book about religious and cultural identity) is assimilated to a world far beyond Italy, sprinkling his account with references to Donnie Brasco and John Belushi.
Whatever an experimental film might be, this sequence is one — it's an experiment the discoveries of which have yet to be fully assimilated by the world of filmmakers, almost half a century later.
