In a celebrated polemic in the late 1960's, Eldridge Cleaver, then a member of the Black Panther Party, asserted that the novel illustrated Mr. Baldwin's "agonizing, total hatred of blacks".
Take Saul Bellow's "The Adventures of Augie March," which Laura Miller acknowledged in Salon last week she found "tedious," although she'd "never … assert that the novel has no merit".
New York Times writer Gerald Jonas asserts that the novel's plot summary resembles a "grade Z, made-for-television, science-fiction rip-off movie", but says that Card develops the elements well despite this "unpromising material".
Similarly, Geduld observes that "the monolith ... has a very simple explanation in Clarke's novel," though she later asserts that even the novel doesn't fully explain the ending.
In this influential critical manifesto Champfleury asserted that the hero of a novel should be an ordinary man rather than an exceptional figure.
The suit asserts that the Pulitzer-Prize winning novel, which takes place in the fictional town of Maycomb, was "inspired by Ms Lee's home," but that "the setting, plot and characters are products of Ms Lee's imagination"; it also accuses the town of Monroeville of a "desire to capitalize" on her book's fame (the town's logo features a mockingbird and the cupola of the local courthouse).
Your reviewer, Gregory Cowles, is quite correct in asserting that in his novel, "A Week in December," Sebastian Faulks is much more severe in his condemnation of the character who is a hedge fund manager than the one who is a jihadist (March 21).
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