The phrase "assembling of images" is correct and usable in written English.
It can be used when referring to the process of putting together or organizing various images for a specific purpose, such as in art, design, or multimedia projects.
Example: "The artist focused on the assembling of images to create a compelling visual narrative in her latest exhibition."
Alternatives: "compilation of images" or "collection of images".
In one project, called "Artist Unknown," he assembled hundreds of images from the twentieth century portraits, family photos, curios that had been uploaded to the Web at one time or another and released into a kind of Internet limbo; the connection between the person who took, or owned, the image and the image itself had fallen away completely as the photos made their rounds online.
In HPGA, we processed the images with a reasonable assemble of current images processing techniques that are clearly better than the global thresholding approach.
In an article praising Jean Nouvel's work ["Assembling a Montage of Images in Glass and Steel," Jan . 27] Herbert Muschamp says that only a "chucklehead" would define architectural context as a building's relationship with surrounding structures.
Thomas Messel has assembled a procession of images that spans nearly 50 years and reveals some signature ploys.
To specifically address this issue, the Yale Rudd Center assembled a database of images depicting overweight and obese individuals in non-stigmatizing settings (I used one of their photos above).
And to spark your interest even further, we've assembled a slideshow of images from the NAIAS 2013, including a futuristic Johnson Controls concept car, singer Amy Heidemann of Karmin performing at a Mercedes launch, and a sneak peek at Chevy's new next generation C7 Corvette.
We obtained a time series of assembling images via CCD camera (Q-Imaging, Retiga Exi, Surrey, British Columbia, Canada) and performed video analysis using image analysis software (ImageJ).
Form rules, though not without psychological tensions, in the smaller of the two groups of images assembled by Mr. Jackson.
Who, then, will buy and preserve the millions of images assembled by Doris, Arnold and long-gone Moe? "We can't keep being altruistic," Mr. Blumberg said.
To make sense of the heap of images assembled by the two curators, and to provide what Mr. Dreishpoon calls "theoretical framework for a revisionist picture history of the 50's," the pictures have been arranged by theme.
