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The megafaunal assemblage was neither uniformly distributed nor temporally stable.
For these artists assemblage was an expression of freedom from conservative aesthetics and parochial social mores.
This assemblage was so fastidious, she writes, "that a few feathered friends actually shed glass tears".
The whole assemblage was then covered with wheat chaff and firewood and ritually burnt.
Nobody could tell if this impressive assemblage was a sculpture or a challenge.
Perhaps the assemblage was meant to remain private, like her earlier herbarium.
The coleopteran assemblage was dominated by beetles indicative of open landscapes, grazing land, and forested environments.
Species-specific differences existed, although the majority of the assemblage was considered to be urban-sensitive.
The assemblage was later made into a multiple, The Critic Laughs (1968), complete with its own Braun-style packaging.
Based in the anthropic activity as a qualitative criterion of environmental perturbation, carrion beetle assemblage was evaluated.
The bone modification profile of the overall assemblage was dominated by chemical weathering, followed by other chemical and microbiological processes.
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