Sentence examples for assemblage of objects from inspiring English sources

What dismayed Adorno about the project in 1935 was Benjamin's faith that a mere assemblage of objects could speak for itself.

It's an intelligently chosen assemblage of objects from the Alternative Press Collection, augmented by material from the papers of Foster Gunnison Jr.

One after another, an odd assemblage of objects — a water bottle, a chunk of concrete, a pair of flip-flops, a steel anchor — emerged from the emerald-green waters.

The evening's most expensive work turned out to be De Chirico's "Metaphysical Composition," from the Hillman collection, a 1914 oil on canvas in which a bizarre assemblage of objects like a foot and an egg form a still life in an outdoor setting.

The word system derives from the Greek word systema and means an assemblage of objects united by some form of regular interaction or interdependence [17, 19].

But whereas the neurological basis of expressionism makes the physical mark of the artist on the medium central to her art, Dennis' modeling of unstable neurologies and the delusions they impel is disclosed through an assemblage of the objects and materials of industrial production and consumption that appears seriously askew, what objects would look like if they could be neurotic.

An ashen little 1962 assemblage of found objects by Mr. Montañez Ortiz is prominent in a permanent collection display, "Voces y Visiones".

Now the Morgan Library has mounted its own show of Ruskiniana, "Ruskin's Italy, Ruskin's England," a biographical assemblage of 133 objects: letters, manuscripts, photographs, drawings, paintings -- including several self-portraits -- and artifacts.

As for the body, Jason Rhoades evokes it with profane anatomical slang written in neon and an assemblage of dangling objects, beginning with a T-shirt, a work that provides only a hint of the decisive way in which Mr. Rhoades's work bridges the Nauman-McCarthy duality.

For example, Giambologna's sculpture of a turkey, a riot of feathers and wattle, was made in 1567 and reflected something of his wonder at this strange bird introduced from the Americas only in 1511; but in its joyous spirit it belongs with Picasso's 1951 Baboon and Young, fashioned from an assemblage of everyday objects – cup handles, a jug and his son's toy car.

Focusing on Wheeler's publications regarding South Asian archaeology, Sudeshna Guha noted that he "produced an assemblage of image-objects that embodied the precision he demanded from excavation photography".