Sentence examples for aspect of the object from inspiring English sources

Thus, in the following stages, tasks of the study will be moved from the macro understanding to the implementation aspect of the object.

(Is the noema an aspect of the object intended, or rather a medium of intention?) For Husserl, then, phenomenology integrates a kind of psychology with a kind of logic.

This is conducive to the idea that, whereas presentations are defined in terms of experiences that give intuitive access to the object, meaning acts are "blind" (1911a, 119): if one means an object, no intuitive aspect of the object becomes present simply due to the fact of this object having been meant.

Most of the artists employed as camoufleurs were traditional representative painters, not cubists, but de Scévola claimed "In order to deform totally the aspect of the object, I had to employ the means that cubists use to represent it".

When light strikes an object with an irregular surface, it bounces off at a huge variety of angles, so that different aspects of the object are disclosed when it's viewed from different perspectives.

The filter has the effect of changing the nature of the image by altering the spatial frequency spectrum in a controlled way so as to enhance certain aspects of the object information.

Through determinate negation, those aspects of the object which thought misidentifies receive an indirect, conceptual articulation.

Where appropriate, the refined taste of a good critic will weigh the relative contributions of all aspects of the object of taste.

Knowledge is instead a process of interpretation: the true idea selects, emphasizes, and re-presents those aspects of the object that will be meaningfully fulfilled in subsequent experience.

Although Kumārila agrees with the Buddhists that the object of immediate perception is inexpressible in language, he maintains that it is different, in at least one respect, from the real particular (svalakṣaṇa) of the Buddhists; the latter being a structure-less unitary whole, whereas the former is non-unitary and grasps both the particular and the universal aspects of the object.

These different formal, material and existential aspects of the object, studied by the different types of ontology, may thus be used to classify an object in any of three interpenetrating dimensions (although not all combinations among formal, material and existential modes are possible).