Knowledge is instead a process of interpretation: the true idea selects, emphasizes, and re-presents those aspects of the object that will be meaningfully fulfilled in subsequent experience.
Most of the artists employed as camoufleurs were traditional representative painters, not cubists, but de Scévola claimed "In order to deform totally the aspect of the object, I had to employ the means that cubists use to represent it".
This is conducive to the idea that, whereas presentations are defined in terms of experiences that give intuitive access to the object, meaning acts are "blind" (1911a, 119): if one means an object, no intuitive aspect of the object becomes present simply due to the fact of this object having been meant.
Thus, in the following stages, tasks of the study will be moved from the macro understanding to the implementation aspect of the object.
When light strikes an object with an irregular surface, it bounces off at a huge variety of angles, so that different aspects of the object are disclosed when it's viewed from different perspectives.
Hubble is sited in orbit around the Earth and can see some exceptionally fine detail; Rosetta, on the other hand, is positioned between Mars and Jupiter and can see aspects of the object's geometry that are beyond home-based observatories, revealing the debris stream's overall shape and angle.
The language, which covers the most important class of mechanical motions, symbolically captures the qualitative aspects of objects that translate and rotate along axes that are fixed in space.
One possible objection to our insistence on the necessity of taking contextual, qualitative, and developmental aspects of the "object" of the psycho-diagnostic assessment into consideration might be that such emphasis is today obviated by the "top-down" operational classifications, with weak or absent hierarchy rules.
Through determinate negation, those aspects of the object which thought misidentifies receive an indirect, conceptual articulation.
Where appropriate, the refined taste of a good critic will weigh the relative contributions of all aspects of the object of taste.
The combination of these methods enabled the socio-cultural factors and personal aspects of the object of study to be explored more deeply.
