The phrase "aspect of cinema" is correct and usable in written English.
It can be used when discussing a particular feature, element, or characteristic related to films or filmmaking.
Example: "The emotional aspect of cinema often resonates deeply with audiences, making them feel connected to the story."
Alternatives: "facet of film" or "element of filmmaking."
He sought to invent gags and routines for his character, but he also became keenly aware that performance in movies doesn't exist in isolation from framings, rhythms — the entire compositional aspect of cinema.
But in writing so authoritatively about culture, photography and every aspect of cinema, from sci-fi to the nouvelle vague, she set herself a daunting task when it came to stepping behind the camera and becoming a lady of images.
He sought to invent gags and routines for his character, but he also became keenly aware that performance in movies doesn't exist in isolation from framings, rhythms the entire compositional aspect of cinema.
P.P.S.: F. Scott Fitzgerald had a notion of the compensatory aspect of cinema, as, in the story "Mightier Than the Sword," from 1941, he wrote: Director Dick Dale was a type that, fifty years ago, could be found in any American town.
Indeed, for these last 30 years, he has been working to make sure Buffalo never happens again -- to him or to other filmmakers -- even if it means transforming every aspect of cinema, from writing and directing to production, distribution and the theater experience itself.
Indeed, for him, the artistic aspect of cinema consisted in its ability to present abstractions, an ability completely lost when films began to employ simultaneous soundtracks.
The silent era had some of the best and worst aspects of cinema, as an art form and industry.
Although it is an art as old as society itself, makeup, like other aspects of cinema, is subject to technological development.
This year, however, the Academy — which has been concerned about a lack of diversity within its ranks, and is searching for new connections to emerging aspects of cinema — dropped a system by which each of its branches was held to a quota.
But what Godard does with the story isn't Hitchcockian at all — except with regard to what Scorsese, in the film "Hitchcock/Truffaut," says that Hitchcock himself did with the plot of "Vertigo": "The plot is just a line that you can hang things on; and the things that he hangs on there are all aspects of cinema poetry".
"Everybody felt it was important to bring back those aspects of cinema that Britain does very well – historical drama with rich production design – so we were keen to avoid the cliches of period films; we wanted London to be authentic, not look like some strange postcard from the past – clean, with blue skies".
